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Scott Fitzgerald, by Andrew Turnbull
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Revealing and unusual, Scott Fitzgerald follows the fascinating life of one of America's most enduring authors, from his early years in St. Paul and at Princeton to New York in the twenties, the French Riviera, Baltimore, and finally Hollywood. Andrew Turnbull tells the story behind F. Scott Fitzgerald's This Side of Paradise, revised and finally published when he was twenty-four, making him instantly famous, and his tender love affair with Zelda Sayre, from their glittering early life to the years Zelda spent in and out of sanatoriums. A literary generation, too, comes alive, including Ernest Hemingway, Edmund Wilson, the Murphys, and Edith Wharton. Fitzgerald lived on Turnbull's family estate in Baltimore in the early 1930s and there befriended young Andrew, then age eleven. Turnbull's personal relationship with Fitzgerald and the hundreds of interviews with those who knew him elegantly capture the dramatic, tragic story of F. Scott and the glow and pathos of his flamboyant life.
- Sales Rank: #749057 in Books
- Brand: Brand: Grove Press
- Published on: 2001-10-07
- Original language: English
- Number of items: 1
- Dimensions: 8.98" h x .98" w x 5.93" l, 1.16 pounds
- Binding: Paperback
- 376 pages
- Used Book in Good Condition
From Library Journal
Grove expands its "Great Lives" series with these top-shelf biographies. Arvin's portrait of Melville snagged a National Book Award (NBA) in 1950 and is still a leading title on the sailor turned author. Germaine de Stael vigorously opposed Napoleon and had affairs with the leading intellectuals of her day, all of which are marvelously detailed in Herold's 1958 volume, which also won an NBA. Though not a prize winner, Turnbull's portrait of the short, unhappy life of Scott Fitzgerald was the leading biography of its time (1962) before being bested by Matthew Bruccoli's Some Sort of Epic Grandeur in 1981. All of these volumes are worthy editions to public and academic library collections.
Copyright 2002 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
Met expectations -- pleased with vendor description of quality
14 of 14 people found the following review helpful.
Marvelous
By R. M. Peterson
This biography of F. Scott Fitzgerald is now fifty years old, but it wears well and I could not ask for more in a biography. Andrew Turnbull set out to write a biography that focused on Fitzgerald's personality (as opposed to his literary works), and he succeeded admirably.
In preparation for this work Turnbull interviewed or corresponded with literally hundreds of people. (At the Plaza Hotel in New York he found only one person who remembered Fitzgerald - a bellboy.) Turnbull was aided, and no doubt inspired, by his own recollections of Fitzgerald. They met when he was eleven, Fitzgerald was thirty-six, and Fitzgerald rented an old Victorian house on the Turnbull family estate outside Baltimore. Fitzgerald and his daughter Scottie, joined for periods by Zelda (when she was not in a sanatorium in Baltimore), lived there for about two years, during which time Fitzgerald was quite accessible to and friendly with the Turnbull family.
Fitzgerald could be a showman and a show-off, and frequently he was a boor - especially when he was drunk (a state more common for him than for most people, even more common than for most writers). But the essential Fitzgerald was a Romantic and an archetypal Irishman, a combination that perhaps made the alcoholism inevitable. He was unusually magnanimous, both with his money and his time and attention. He was devoted to Zelda, even after she slipped the traces and drifted off into her own worlds of schizophrenia. He promoted and encouraged numerous other writers. And, of course, he was a brilliant writer himself. Among the tributes from Turnbull: "No one had written more gorgeously than he of America's last fling at adolescence. The gay chic of his style, with the wit and tenderness constantly breaking through, had suited a time whose very tawdriness, in a work like 'Gatsby', he had transformed into lasting beauty."
Turnbull pays due attention to Fitzgerald's relationships with other literary luminaries of the time, especially his friendships with Edmund Wilson and Ernest Hemingway. For a time Hemingway had no bigger fan than Fitzgerald, but Papa did not repay Scott in kind. Towards the end, Scott realized that Hemingway "is quite as nervously broken down as I am but it manifests itself in different ways. His inclination is towards megalomania and mine toward melancholy."
And, of course, much of the book deals with Scott and Zelda. "It was hard to say whether he or she was the leader in this chaos. They complemented each other like gin and vermouth in a martini, each making the other more powerful in their war with dullness and convention. * * * Both were unstable; when they should have called a halt, they egged each other on. They faced life not ignobly but with a mad sort of daring, committed to doing as they pleased and never counting the cost." They both flamed out, in different ways. The book includes a letter that Zelda wrote to Scott in 1936, during one of her lucid moments while at the Highland Mental Hospital in Asheville, North Carolina (where she died, eight years after Scott, in a fire in 1948). It is one of the most poignant letters I have ever encountered. As a beautiful, mystical, yet tragic love letter, it ranks with anything that Heloise wrote to Abelard. It alone is worth the price of the book.
SCOTT FITZGERALD is a sensitive, affectionate portrayal of one of America's quintessential writers. Plus, it is superbly written and very readable. Anyone looking for a "non-literary" biography of F. Scott Fitzgerald need look no further.
ADDENDUM (25 July 2012): I just finished reading "Hemingway Vs. Fitzgerald", by Scott Donaldson. It was written almost forty years after Turnbull's biography, with access to many letters and papers that were not available to Turnbull. In it, Scott Fitzgerald is somewhat shabbier and a little less noble than in Turnbull's biography, and the dreadful alcoholic that he became receives more attention. Also, in Donaldson's book Zelda Fitzgerald is zanier and less likeable than she is in Turnbull's. That said, I still recommend Turnbull's biography.
12 of 12 people found the following review helpful.
A Great Biography
By Andrew Corsa
Andrew Turnbull's well-written biography brings F. Scott Fitzgerald to life. While the book is well researched and organized, ultimately it is Turnbull's wonderful language that makes this book shine. He carefully and lyrically describes, not just people's physical characteristics, but also their personalities and personal energy. And Turnbull focuses his book's attention on his subjects' most lively and engaging interactions, quoting letters and discussions at length only when they are truly fascinating. Turnbull, who knew Fitzgerald personally and considered him a friend, obviously loved the subject of this book - and that love helped to bring its subject to life. It helps, of course, that Fitzgerald led a wild, legendary existence.
The best I can do, to give a sense of this book, I think, is to quote a few passages, half-randomly, directly from Turnbull's prose:
In describing Fitzgerald's school headmaster: "He was almost pure albino with thin flaxen hair, white eyebrows and lashes, and pink watery eyes that jiggled behind thick lenses. His soft bulk, his round face with a button nose surmounting several rolls of chin -anyone could see that Fay liked to eat" (Turnbull 1962, 39).
In describing Fitzgerald's final years: "Now was the time of hospitals, nurses, night sweats, sedatives, and despair. Fitzgerald seemed to be slipping back into the morass of 1935-6. Half-crazed with worry and isolation, he was also blocked in his work and 'a writer not writing,' he once remarked, 'is practically a maniac within himself'" (Turnbull 1962, 298).
In describing Zelda, Fitzgerald's wife: "Zelda, too, was acting strangely. With her angry sidelong glances and barbed remarks there was something crouching and inimical in her posture. She was a wily antagonist who lay in wait for you conversationally and gave compliments that turned out to be brickbats. 'Did you ever see a woman's face with so many fine, large teeth in it?' she might say of some one she didn't like - after which she would retreat into herself. But the Murphy's remained fond of her and she of them" (Turnbull 1962, 165-166) . . . "Her willfulness had modulated into a bizarre petishness. Out with a group of friends, she would suddenly want fresh strawberries or watercress sandwiches and make everyone thoroughly uncomfortable until she got them" (Turnbull 1962, 177).
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