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Tom Stoppard: A Life, by Ira Nadel
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Tom Stoppard is, arguably, the greatest living English playwright. His work, from the early Jumpers to the film Shakespeare in Love to the current Invention of Love has changed the landscape of drama. Witty, erudite, passionate, abstract, clever, his works are like no one else's. Who is Tom Stoppard-the Czech-born son of Jews who became the singularly English man of letters? In this vibrant, critical portrait, Ira Nadel weaves life and works into a fascinating chronicle of Stoppard's world on English and American stages. Peopled with such characters as Diana Rigg, John Wood, and Billy Crudup, the book untangles Stoppard's genius against the backdrop of Broadway and London's West End.
- Sales Rank: #2060348 in Books
- Published on: 2002-07
- Original language: English
- Number of items: 1
- Dimensions: 1.70" h x 6.48" w x 9.54" l,
- Binding: Hardcover
- 384 pages
From Library Journal
Tom Stoppard is perhaps our greatest living playwright, with over 25 plays produced since 1965 and a cornucopia of honors, including numerous Tony awards, an Oscar for the screenplay of Shakespeare in Love, and a knighthood. Yet Stoppard is and always has been a hard man to pin down, and noted critic and academic Nadel freely admits that "Stoppard in many ways resists biography." Fortunately, that does not keep him from trying and, 600-plus pages later, largely succeeding. Canadian critic/biographer Nadel (Various Positions: A Life of Leonard Cohen) spends considerable time wending his way through the Stoppard chronology, dwelling on the linguistically lush plays like Rosencrantz and Guildenstern Are Dead, Jumpers, Travesties, The Real Thing, and Arcadia, all of which are uniquely complex, comedic, and intellectual. This thorough and fresh text updates and surpasses Michael Billington's 1987 Stoppard the Playwright. The best and most complete Stoppard biography available, this is a no-brainer acquisition decision for all collections. Barry X. Miller, Austin P.L., TX
Copyright 2002 Reed Business Information, Inc.
About the Author
Ira Nadel is a well-known critic and biographer. The author of the acclaimed Various Positions: A Life of Leonard Cohen, he is a commentator for the Canadian Broadcasting Corporation and teaches English at the University of British Columbia.
Most helpful customer reviews
10 of 11 people found the following review helpful.
Unauthorized Bio
By Antoinette Constable
Nadel has clearly done his homework in his reading about the theatre and plays generally. But he also unfortunately, and probably in order to fill in many gaps, provides us with far too many of unnecessary details-- such as the street number of the house where Stoppard's father was born, but little valid information about Tom Stoppard as an an author,-- though we're given much useless information about other characters- or the very plays he's supposed to explore for and with us. If you haven't read all the plays, you will find the book heavy, literally and figuratively.
Praise, when given, often seems grudging-- we are told, in the acknowlegments, that the playright was generous, as told Nadel by Stoppard's sister. But that generosity isn't shown in the body of the biography , though we're given many petty details, such as Stoppard being often late or disorganized.
In writing his unauthorized bio,Nadel,by definition, had to leave out much: what he was unaware of, what he couldn't explore, and what he didn't understand. He appears unaware of Stoppard's aim of creating a theater of ideas as more than a theater of action.
At over 500 pages, this biography is too long and repetitive. (And surely, somewhere, there could have been traces of humor, considering Nadel was writing about a most witty author...)
Being left with many unanswered questions, in spite of its topic, I found this book disappointing.
2 of 2 people found the following review helpful.
An exemplary biography
By John Francis
This is the fullest, most up-to-date, and most informative book yet on Tom Stoppard's life and career, and also a helpful vade mecum to his works, unpacking their sources in Stoppard's reading and his own life. One reviewer here finds the amount of detail to be a disadvantage; I don't understand this objection, and think it's a clear advantage. After all, biographies aren't read for what they leave out! Stoppard has been notoriously elusive, even evasive, but Ira Nadel has answered a great many questions I had about his life, and not a few that I hadn't thought to ask. Essential reading for anyone seriously interested in the playwright.
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