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Binding: Paperback

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Selasa, 22 November 2011

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“Original and arresting….[Jones’s] stories will touch chords of empathy and recognition in all readers.”
—Washington Post

“These 14 stories of African-American life…affirm humanity as only good literature can.”
—Los Angeles Times

A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the book that first brought author Edward P. Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

Sales Rank: #256600 in eBooks
Published on: 2009-10-13
Released on: 2009-10-13
Format: Kindle eBook

From Publishers Weekly
Young and old struggle for spiritual survival against the often crushing obstacles of the inner city in these 14 moving stories of African American life in Washington, D.C. Traveling street by street through the nation's capital, Jones introduces a wide range of characters, each of whom has a distinct way of keeping the faith. Betsy Ann Morgan, "The Girl Who Raised Pigeons," finds inspiration in the birds she cares for on the roof of her apartment building. Middle-aged Vivian Slater leads a hymn-singing group in "Gospel." The narrator of "The Store" labors to build up a neighborhood grocery; in "His Mother's House," Joyce Moses collects photographs and cares for the expensive home her young son has bought her with his crack earnings. Depicting characters who strive to preserve fragile bonds of family and community in a violent, tragic world, Jones writes knowingly of their nontraditional ways of caring for one another and themselves. His insightful portraits of young people and frank, unsensationalized depictions of horrifying social ills make this a poignant and promising first effort.
Copyright 1992 Reed Business Information, Inc.

From School Library Journal
YA-- In these 14 stories set in black neighborhoods of Washington, DC in the '60s and '70s, Jones establishes a mood and a specific sense of place, but he also presents universal hopes and aspirations. Beautifully and economically written, the selections are filled with revealing details of poverty and degradation, and yet the protagonists are survivors who look to find hope and meaning in their lives. The haunting, grainy black-and-white photographs add to the real, though slightly hazy, atmosphere and reveal the underlying grit portrayed so evocatively in the prose. A more-than-worthwhile addition. --Susan H. Woodcock, Potomac Library, Woodbridge, VA
Copyright 1993 Reed Business Information, Inc.

From Library Journal
As Academy Award-nominated director John Singleton said of the violence in his film Boyz N the Hood , "It's what's goin' down in America." Jones addresses similar sociological realities in his collection of 14 short stories, writing affectingly of African American life in our nation's capital. This is not the Washington of monuments, tourists, and the federal government; rather, it is the darker side of the city. Jones describes the harsh realities of life that exist for some African Americans in our society: a young aspiring singer shot dead by her boyfriend (the father of her child), a young man thieving to earn a living, a daughter desperately searching for the "why" in her mother's stabbing death. Although these experiences will be unfamiliar to many readers, Jones instills humanity in his characters and stories. He depicts people struggling to overcome adversity and survive in a dangerous world. For popular collections.
- Kimberly G. Allen, National Assn. of Home Builders Lib., Washington, D.C.
Copyright 1992 Reed Business Information, Inc.

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31 of 32 people found the following review helpful.
Phenomenal!
By Amazon Customer
I have a strange suspicion that I would not have read Lost in the City if Edward P. Jones had not won the Pulitzer Prize for The Known World. And I think that would have been a big, big mistake.

This is an excellent collection of short stories, even for someone who doesn't really know a thing about Washington, D.C. or the people who live there. The stories aren't short stories in the most traditional sense - they don't end with surprising or inevitable events or revelations. But each and every glimpse into the lives of these characters is interesting, thoughtful, and specific. Jones manages to paint a colorful, human, and memorable picture of the lives of each of the characters he introduces.

Perhaps the most arresting part of his the stories, for me, is the language. There are so many passages that I will remember, but I will only share a few. In the story "Young Lions," a character named Caesar says to his girlfriend that he loves her:

"I'm glad you told me," she said. "I was beginning to wonder. You made my day."

He promised to fix her dinner before to went to Manny's and he told her once again that he loved her.

"I wish I could record that," she said, "and play it back any time I wanted."

These lines alone told me so, so much about the girlfriend, Carol, and I know that I won't forget her. Later, a character in a story called "The Sunday Following Mother's Day" notes that her father "sounded like every black country person she had ever heard, those people who talked of fetchin this and wearin britches and someone commencin to do such and such." I laughed out loud, because I, too, know some of these country people, and Jones's description is perfect. In the last story, "Marie," Jones write that Marie "was eighty-six years old, and had learned that life was all chaos and painful uncertainty and that the only way to get through it was to expect to chaos even in the most innocent of moments. Offer a crust of bread to a sick bird and you often drew back a bloody finger."

Another delightful aspect of the book is that characters don't disappear at the end of a story. The two teenage girls who appear briefly in "The Night Rhonda Ferguson Was Killed," pregnant and moving in together, show up again as adults with 20-year old sons in "His Mother's House." Two other characters in "Rhonda Ferguson" also appear in their own story in "A Butterfly on F Street." There are a few other characters who appear twice, and I believe that several minor characters in this collection will appear in Jones's next short story collection, which should be published this year. (One of the stories was already published in the New Yorker.) I can't wait to read them all.

21 of 21 people found the following review helpful.
Great Collection by a Gifted Writer
By Jonathan Carr
This collection, first published in 1992, was considered Jones's first literary effort. I find this idea of firsts interesting and would like to look at it briefly before I move on to a few of the craft elements in his stories that I would most like to steal.

This collection of short stories was published a decade before Jones won the 2004 Pulitzer Prize for his novel "The Known World." Some of the stories in the collection were first published in the 1980s in literary magazines like Ploughshares and Callaloo. One of the stories "Marie" also appeared in the Paris Review in 1992. The thing that I find interesting is that these publications do not seem to register with the general public or even reviewers. Instead, his books are presented as sudden, award winning events. Instead of a writing career spanning 25 years of craft and respectable publications, we are presented with the image of a of sudden event, a spectacular storm, a writer whose first novel won the Pulitzer Prize.

In any event, the first thing I did when I opened "Lost in the City" was to read the opening lines of each story. I wanted to see how and where he began his stories. I was thinking of an essay by Debra Spark called "Getting In and Getting Out." The essay appears in "Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life." There is an anecdote in the essay about a friend the author who is screening stories for the Iowa Short Fiction Prize. She says, "If I have to read another story that begins `The alarm clock rang,' I'll shoot myself."

Although I have never started a story with this particular phrase, I do tend to begin a story at the beginning. So as I read through the Jones collection I paid particular attention to the places he began his stories.

In "The Girl Who Raised Pigeons," Jones begins the narrative at some undefined future moment when the crisis of the story has already forced the characters' world to change. "Her father would say years later that she had dreamed that part of it, that she had never gone through the kitchen window...." The story never travels completely forward into the world from which these first lines are described. However, the story does end with a certain inevitability--a sort of narrative arc that points forward so that we understand how the characters arrive to the point we find them in the opening of the story.

"The Girl Who Raised Pigeons" covers a lot of ground in twenty-five pages. It outlines the decay of a Black, D.C. neighborhood and shows us how that decay affects the community. On one level it is a story about a father's coming to fatherhood as well as his young daughter's coming of age. It is about the place and the power of the natural world even in the urban environment. It is about an urban Black community on the edge of change.

The narrative is carried along by the story of the young girl and her pigeons. The story is usually told through a close third person narrator; however, the point of view does shift at times from the young girl, Betsy Ann Morgan, to other characters. These shifts offer insight into the community in which Betsy and her father live. But these shifts seldom last for more than a line or two and then quickly move back to Betsy.

I paid close attention to these shifts in point of view. But before I discuss them I would like to think a bit more about where these stories begin.

Another story that begins post-crisis is "The First Day." The story opens with the line: "On an otherwise unremarkable September morning, long before I learned to be ashamed of my mother, she takes my hand and..." This is the story about a child's first day of school. The story is short, only 5 pages, but it has taken a common event, a child's first day of school, and uses it to point out the divisions between social classes in the Black community. One of the interesting things about this story is that it is told in the first person. The protagonist never reaches the crisis described in the first line within the span of the story. The narrator shows nothing but love and admiration for her mother throughout the course of the story. We are lead by that single clause, "long before I learned to be ashamed of my mother," and the trajectory of the story to understand that the protagonists shame is inevitable.

I find it fascinating that he entire story hinges on this single clause. We never see a hint of shame in the narrator aside from her opening line. If that clause were deleted we would not necessarily know that the narrator would ever come to be ashamed of her mother. But knowing this first line and following the trajectory of the story we know that the crisis and the change are inevitable.

Jones also opens his stories from the middle. The narrator then takes the story back to that middle before moving farther forward. He does this in the story "A New Man."

"A New Man" begins with the lines, "One day in late October, Woodrow L. Cunningham came home early with his bad heart and found his daughter with two boys." The narrative eventually makes its way back to explain exactly how Woodrow came to find his daughter with two boys, but it does not stop there. The narrative continues. It carries the story farther. We come to understand exactly what this event means in the life of Woodrow and how it comes to define his essential character.

Now, rather than continue with this idea of how or where Jones begins his stories, I would like to move on to two other divices Jones uses: point of view, and the idea of epiphany and change within a character.

As I mentioned earlier, Jones does not shy away from changing the narrative point of view if it serves the story. But the places where he shifts point of view seem to be dependent on a few things. He only ever shifts in a third person narrative. The point of view never shifts for more than three or four sentences. The point of view only shifts in stories that are 20 pages in length or longer. He always quickly brings the point of view back to its original place.

It is the brevity in the shift that I find most interesting. It is like one of those little flashes of insight that Woolf wrote about--matches struck unexpectedly in the dark--or the mirror in Joyce's "The Dead." The shift lets us see for a moment how the character looks within their world. For example the title story of the collection, "Lost in the City," is told by a close third person narrator. However, there are two moments in the story where the focus shifts from the protagonist, Lydia Walsh, to her taxi driver. The first shift occurs about two thirds through the story: "He thought that maybe she had been born elsewhere, that she did not know Washington, would not know the streets beyond what the white people called the federal enclave." This shift in point of view ends quickly. The narrator brings our focus back to Lydia. "But in fact, the farther north he went, the more she knew about where they were going."

At the end of "Lost in the City," the point of view again shifts for a moment. "The cab driver thought that her crying meant that maybe it had finally hit her that her mother had died and that soon his passenger would be coming to herself."

I suspect that it is the brevity of these shifts that make them work. Another aspect of these shifts is the fact that they are subtly revealing--not deeply or overtly revealing--and they are always revealing something in the protagonist. These shifts in point of view seem to stress the importance of community in these stories. They show, however briefly, that these characters do not live in isolation, that on some level they are always aware of themselves within the context of others--or perhaps it is that we should always be aware of them within the context of a greater community.

The final aspect of this collection of stories that I would like to look at relates to an issue raised in an essay by Jim Shepard titled, "I Know Myself Real Well. That's the Problem." In this essay, Shepard criticizes the tendency for novice fiction to create characters who are "whooshing along the conveyor belts" of narrative toward some kind of epiphany. Given that my stories have this tendency, I am curious how Jones creates a sense of movement and revelation without allowing his characters to fall into that whooshing conveyor belt.

One way that Jones avoids this narrative conveyor belt is by beginning the story someplace other than the beginning and ending the story in a place that points to the inevitability of change or crisis, but he does not necessarily show us that change or crisis. This can also be seen in the story, "The First Day." We do not experience the moment when the narrator becomes ashamed of her mother. We are told in the opening line that the narrator will indeed one day be ashamed of her mother. We are lift at the end of the story with the inevitability that, despite the strength and character of the mother, the child will one day become as ashamed of her as other members of the community.

Often in this collection of stories the narrator is not even aware of his or her change. The reader senses that something is in fact permanently altered, but it is difficult to say exactly what that thing is. At the close of the story "My Mother's House," we do not find the protagonist, a mother whose biological son has just murdered by her godson over a dispute involving drugs and money, in the throws of some sort of epiphany.

Her husband, who is not the father of either child, works as a bodyguard for her biological son. Her husband skulks away from the scene of the crime, leaving her in the street to comfort her dieing godson. She has always known that her husband was a weak man. At the close of this story we find the protagonist drinking a fifth of vodka and walking from room to room in the house her drug-dealing son purchased for her. She unlocks all the doors and windows, "for Santiago (her son) had no key to her house. And outside that house there was a very cruel would and she did not like to think that her child was out there without a place to come to."

The protagonist knows throughout the story that the world is indeed cruel. The cruelty is not a revelation. Nor does she necessarily seem poised to make some sort of change. In fact, she opens her house in a rough neighborhood so that her son, who has just murdered her godson and pointed a gun at her face, may come into the house for comfort.

Perhaps the real change at the end of this story takes place in the reader. After we have experienced this world, we can never view these characters or their world in the same light--we will never be able to read this story in the same way again.

In the end, there are still many more aspects of this collection that will occupy me throughout the coming months. I have marked my copy of the book with many notes. I find myself referring back to them often.

12 of 13 people found the following review helpful.
Extraordinary
By Martha B. Spencer
Jones is a very gifted writer; his characters are so believable and real. These are not the happiest of stories, but the quality of his writing is extraordinary. The two stories that stood out for me were "Orange Line to Ballston" and "Marie." Marie is an elderly woman who has outlived three husbands and must deal with the indignity of going for interviews at the Social Security office to be sitting there for hours on end long past the time for her appointment and treated as if she were invisible. Poignant and beautiful portrait of old age.

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Published on: 1995
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Praise for the First Edition

"This pioneering work, in which Rao provides a comprehensive and up-to-date treatment of small area estimation, will become a classic.... I believe that it has the potential to turn small area estimation...into a larger area of importance to both researchers and practitioners.";
—Journal of the American Statistical Association

Written by two experts in the field, Small Area Estimation, Second Edition provides a comprehensive and up-to-date account of the methods and theory of small area estimation (SAE), particularly indirect estimation based on explicit small area linking models. The model-based approach to small area estimation offers several advantages including increased precision, the derivation of “optimal” estimates and associated measures of variability under an assumed model, and the validation of models from the sample data.

Emphasizing real data throughout, the Second Edition maintains a self-contained account of crucial theoretical and methodological developments in the field of SAE. The new edition provides extensive accounts of new and updated research, which often involves complex theory to handle model misspecifications and other complexities. In addition to the information on survey design issues and traditional methods employing indirect estimates based on implicit linking models, Small Area Estimation, Second Edition also features:

Additional sections describe an R package for SAE and applications with R data sets that readers can replicate
Numerous examples of SAE applications throughout the book, including recent applications in U.S. Federal programs
New topical coverage on extended design issues, synthetic estimation, further refinements and solutions to the Fay-Herriot area level model, basic unit level models, and spatial and time series models
A discussion of the advantages and limitations of various SAE methods for model selection from data as well as comparisons of estimates derived from models to reliable values obtained from external sources, such as previous census or administrative data

Small Area Estimation, Second Edition is an excellent reference for practicing statisticians and survey methodologists as well as practitioners interested in learning SAE methods. The Second Edition is also an ideal textbook for graduate-level courses in SAE and reliable small area statistics.

Sales Rank: #751955 in Books
Published on: 2015-08-24
Original language: English
Number of items: 1
Dimensions: 9.50" h x 1.25" w x 6.50" l, 1.75 pounds
Binding: Hardcover
480 pages

Review
"The book is an excellent reference for practicing statisticians and survey methodologists as well as practitioners interested in learning SAE methods. The second edition is also an ideal textbook for graduate-level courses in SAE and reliable small area statistics." (Zentralblatt MATH 2016) The book is an excellent reference for practicing statisticians and survey methodologists as well as practitioners interested in learning SAE methods. The second edition is also an ideal textbook for graduate-level courses in SAE and reliable small area statistics.

From the Back Cover

Praise for the First Edition

“This pioneering work, in which Rao provides a comprehensive and up-to-date treatment of small area estimation, will become a classic...I believe that it has the potential to turn small area estimation...into a larger area of importance to both researchers and practitioners."

- Journal of the American Statistical Association

Written by two experts in the field, Small Area Estimation, Second Edition provides a comprehensive and up-to-date account of the methods and theory of small area estimation (SAE), particularly indirect estimation based on explicit small area linking models. The model-based approach to small area estimation offers several advantages including increased precision, the derivation of "optimal" estimates and associated measures of variability under an assumed model, and the validation of models from the sample data.

Emphasizing real data throughout, the Second Edition maintains a self-contained account of crucial theoretical and methodological developments in the field of SAE. The new edition provides extensive accounts of new and updated research, which often involves complex theory to handle model misspecifications and other complexities. Including information on survey design issues and traditional methods employing indirect estimates based on implicit linking models, Small Area Estimation, Second Edition also features:

Additional sections describing the use of R code data sets for readers to use when replicating applications
Numerous examples of SAE applications throughout each chapter, including recent applications in U.S. Federal programs
New topical coverage on extended design issues, synthetic estimation, further refinements and solutions to the Fay-Herriot area level model, basic unit level models, and spatial and time series models
A discussion of the advantages and limitations of various SAE methods for model selection from data as well as comparisons of estimates derived from models to reliable values obtained from external sources, such as previous census or administrative data

J. N. K. Rao, PhD, is Professor Emeritus and Distinguished Research Professor in the School of Mathematics and Statistics, Carleton University, Ottawa, Canada. He is an editorial advisor for the Wiley Series in Survey Methodology.

Isabel Molina, PhD, is Associate Professor of Statistics at Universidad Carlos III de Madrid, Spain.

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Kamis, 17 November 2011

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The Definitive Guide to File System Analysis: Key Concepts and Hands-on Techniques

Most digital evidence is stored within the computer's file system, but understanding how file systems work is one of the most technically challenging concepts for a digital investigator because there exists little documentation. Now, security expert Brian Carrier has written the definitive reference for everyone who wants to understand and be able to testify about how file system analysis is performed.

Carrier begins with an overview of investigation and computer foundations and then gives an authoritative, comprehensive, and illustrated overview of contemporary volume and file systems: Crucial information for discovering hidden evidence, recovering deleted data, and validating your tools. Along the way, he describes data structures, analyzes example disk images, provides advanced investigation scenarios, and uses today's most valuable open source file system analysis tools—including tools he personally developed. Coverage includes

Preserving the digital crime scene and duplicating hard disks for "dead analysis"
Identifying hidden data on a disk's Host Protected Area (HPA)
Reading source data: Direct versus BIOS access, dead versus live acquisition, error handling, and more
Analyzing DOS, Apple, and GPT partitions; BSD disk labels; and Sun Volume Table of Contents using key concepts, data structures, and specific techniques
Analyzing the contents of multiple disk volumes, such as RAID and disk spanning
Analyzing FAT, NTFS, Ext2, Ext3, UFS1, and UFS2 file systems using key concepts, data structures, and specific techniques
Finding evidence: File metadata, recovery of deleted files, data hiding locations, and more
Using The Sleuth Kit (TSK), Autopsy Forensic Browser, and related open source tools

When it comes to file system analysis, no other book offers this much detail or expertise. Whether you're a digital forensics specialist, incident response team member, law enforcement officer, corporate security specialist, or auditor, this book will become an indispensable resource for forensic investigations, no matter what analysis tools you use.

Sales Rank: #66978 in Books
Published on: 2005-03-27
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.20" w x 7.00" l,
Binding: Paperback
600 pages

From the Back Cover

The Definitive Guide to File System Analysis: Key Concepts and Hands-on Techniques

Preserving the digital crime scene and duplicating hard disks for "dead analysis"
Identifying hidden data on a disk's Host Protected Area (HPA)
Reading source data: Direct versus BIOS access, dead versus live acquisition, error handling, and more
Analyzing DOS, Apple, and GPT partitions; BSD disk labels; and Sun Volume Table of Contents using key concepts, data structures, and specific techniques
Analyzing the contents of multiple disk volumes, such as RAID and disk spanning
Analyzing FAT, NTFS, Ext2, Ext3, UFS1, and UFS2 file systems using key concepts, data structures, and specific techniques
Finding evidence: File metadata, recovery of deleted files, data hiding locations, and more
Using The Sleuth Kit (TSK), Autopsy Forensic Browser, and related open source tools

Brian Carrier has authored several leading computer forensic tools, including The Sleuth Kit (formerly The @stake Sleuth Kit) and the Autopsy Forensic Browser. He has authored several peer-reviewed conference and journal papers and has created publicly available testing images for forensic tools. Currently pursuing a Ph.D. in Computer Science and Digital Forensics at Purdue University, he is also a research assistant at the Center for Education and Research in Information Assurance and Security (CERIAS) there. He formerly served as a research scientist at @stake and as the lead for the @stake Response Team and Digital Forensic Labs. Carrier has taught forensics, incident response, and file systems at SANS, FIRST, the @stake Academy, and SEARCH.

Brian Carrier's http://www.digital-evidence.org contains book updates and up-to-date URLs from the book's references.

About the Author

Brian Carrier's http://www.digital-evidence.org contains book updates and up-to-date URLs from the book's references.

Excerpt. © Reprinted by permission. All rights reserved.
Foreword Foreword

Computer forensics is a relatively new field, and over the years it has been called many things: "computer forensics," "digital forensics," and "media analysis" to name a few. It has only been in the past few years that we have begun to recognize that all of our digital devices leave digital breadcrumbs and that these breadcrumbs are valuable evidence in a wide range of inquiries. While criminal justice professionals were some of the first to take an interest in this digital evidence, the intelligence, information security, and civil law fields have enthusiastically adopted this new source of information.

Digital forensics has joined the mainstream. In 2003, the American Society of Crime Laboratory Directors–Laboratory Accreditation Board (ASCLD–LAB) recognized digital evidence as a full-fledged forensic discipline. Along with this acceptance came increased interest in training and education in this field. The Computer Forensic Educator's Working Group (now known as the Digital Forensic Working Group) was formed to assist educators in developing programs in this field. There are now over three-dozen colleges and universities that have, or are, developing programs in this field. More join their ranks each month.

I have had the pleasure of working with many law enforcement agencies, training organizations, colleges, and universities to develop digital forensic programs. One of first questions that I am asked is if I can recommend a good textbook for their course or courses. There have been many books written about this field. Most take a targeted approach to a particular investigative approach, such as incident response or criminal investigation. Some tend to be how-to manuals for specific tools. It has been hard to find a book that provides a solid technical and process foundation for the field...That is, until now.

This book is the foundational book for file system analysis. It is thorough, complete, and well organized. Brian Carrier has done what needed to be done for this field. This book provides a solid understanding of both the structures that make up different file systems and how these structures work. Carrier has written this book in such a way that the reader can use what they know about one file system to learn another. This book will be invaluable as a textbook and as a reference and needs to be on the shelf of every digital forensic practitioner and educator. It will also provide accessible reading for those who want to understand subjects such as data recovery.

When I was first approached about writing this Foreword, I was excited! I have know Brian Carrier for a number of years and I have always been impressed with his wonderful balance of incredible technical expertise and his ability to clearly explain not just what he knows but, more importantly, what you need to know. Brian's work on Autopsy and The Sleuth Kit (TSK) has demonstrated his command of this field—his name is a household name in the digital forensic community. I have been privileged to work with Brian in his current role at Purdue University, and he is helping to do for the academic community what he did for the commercial sector: He set a high standard.

So, it is without reservation that I recommend this book to you. It will provide you with a solid foundation in digital media.

Mark M. Pollitt
Former Director of the FBI's Regional Computer Forensic Laboratory Program

Most helpful customer reviews

42 of 44 people found the following review helpful.
excellent coverage of the area, high quality writing
By jose_monkey_org
It's easy to think that computer filesystems are relatively simple things. After all, if 'dir' or 'ls' don't show what you're looking for, maybe an undelete program will work. Or will it? To be a decent, trustworthy expert in forensics (a requirement if you plan to participate in any criminal investigations), you'll have to learn how filesystems really operate, how tools like undelete and lazarus work, and how they can be defeated.

Carrier's book isn't a legal book at all, and it doesn't pretend to offer much insight into the law surrounding forensics. Instead it focuses on technical matters, and is sure to be the gold standard in its field. This is important, because it comes at you expecting you to have some knowledge, even if only informal, of what a filesystem contains. With a basic understanding of data structures, you'll get a wealth of information out of this book, and it will be a good reference long after you've first studied it.

File System Forensic Analysis is divided into three sections. These are arranged in the order that you'll want to study them to maximize the benefit you can hope to achieve, namely an understanding of how to examine filesystems for hidden or previously stored data. The first three chapters cover a fundamental series of topics: Digital Investigation Foundations, Computer Foundations, and an introduction to Hard Disk Data Acquisition. While they start at a basic level (e.g. what hexadecimal is), they quickly progress to more developed topics, such as the types of interfaces (SATA, SCSI, IDE), the relationship of the disk to the computer system as a whole, and how data is stored in a file and filesystem at a basic level. A lot of examples given use Linux, due to the raw, accessible nature of UNIX and UNIX-like systems, and the availability of tools like 'dd' to gather data.

Part 2 covers "Volume Analysis," or the organization of files into a storage system. This introduces the basics of things like partition tables (including how to read one). The next few chapters cover PC-based partitions (DOS and Apple), server-based partitions (BSD, Solaris and GPT partitions), and then multiple disk volumes like RAID and logical volumes. With this introduction, the final chapter of the section covers how to use these filesystem descriptions in practice to look for data during analysis. Filesystem layouts, organization, and things like journals and consistency checks are covered with a clarity and exactness that's refreshing for such a detailed topic.

Having covered the basics of filesystems, Part 3 covers the bulk of the book and material. Several chapters follow that specifically show you how to analyze particular filesystems by using their data structures to direct your reads. A range of filesystems are covered, including FAT, NTFS, EXT2 and EXT3, and the BSD types UFS1 and UFS2. Each filesystem has two chapters, one devoted to concepts and analysis, another entirely about data structures. Dividing each filesystem type like this lets Carrier focus first on the theory of each filesystem and its design, and then the practical use of its design to actually understand how to pull data off of it.

The real strength of File System Forensic Analysis lies in Carrier's direct and clear descriptions of the concepts, the completeness of his coverage, and the detail he provides. For example, a number of clear, well-ordered and simple diagrams are peppered throughout the book, explaining everything from allocation algorithms to NTFS alternative data streams. This use of simple diagrams makes the topics more easily understood, so the book's full value can be appreciated. This is the kind of thing that sets a book apart from its peers and makes it a valuable resource for a long time.

Finally, Carrier brings it all together and shows us how many aspects of filesystems can be examined using his "sleuth kit" tools, freely available and easy to use. Without appearing to hawk this tool at the expense of other valuable resources, you get to see how simple and direct filesystem manipulations can be done using a direct approach. This kind of presentation is what makes File System Forensic Analysis a great foundation.

Overall I'm pleased with File System Forensic Analysis, I think that Carrier has achieved what few technical authors do, namely a clear explanation of highly technical topics which retains a level of detail that makes it valuable for the long term. For anyone looking seriously at electronic forensics, this is a must have. I suspect people who are working on filesystem implementations will also want to study it for its practical information about NTFS. Overall, a great technical resource.

11 of 12 people found the following review helpful.
Must Have Resource for Digital Forensics
By D. Baker
Brian Carrier has written a solid book that should be on the reference shelf of anyone in the Digital Forensics field that conducts analysis of file systems. The book is well organized into three parts, each with multiple chapters.

The first part discusses the foundations necessary to understand digital evidence, computer functions and acquiring data for analysis. This part is intentionally at a higher level, yet still provides the necessary foundations for the subsequent parts. A good explanation of host protected area (HPA) and device configuration overlays (DCO) is included, as well as methods by which one can test for such areas on volumes.

The second part discusses volume analysis. Brian takes this topic and divides it into four chapters addressing basic volumes, personal computer volumes, server volumes and finally multiple disk volumes. He provides detailed information on a variety of common partition types, even including both SPARC and i386 partition information for Sun Solaris.

Finally the third part discusses file system analysis, and the last 10 chapters are dedicated to covering general information, and then detailed descriptions of concepts, analysis and data structures for FAT, NTFS, Ext2, Ext3, UFS1 and UFS2 file systems. The detailed information provided well-documented explanations and included analysis scenarios. For instance, in his discussion of NTFS analysis, an image of a damaged disk is evaluated, and he provides meaningful explanations of reconstructing the damaged tables to allow analysis of the data. He provides many such examples throughout.

An additional positive attribute to this work is the thorough bibliography placed after each chapter, which quickly provides the reader with other data sources, should they be needed.

Overall, this is an excellent reference for anyone that must conduct analysis of file systems for investigative purposes. He provides clear information that is valuable, regardless of what tools an examiner may use to conduct analysis. This is definitely worth having on your bookshelf.

13 of 15 people found the following review helpful.
Accept no substitutes -- THE book to read on file systems
By Richard Bejtlich
I decided to read and review three digital forensics books in order to gauge their strengths and weaknesses: "File System Forensic Analysis" (FSFA) by Brian Carrier, "Windows Forensics" (WF) by Chad Steel, and "EnCase Computer Forensics" (ECF) by Steve Bunting and William Wei. All three books contain the word "forensics" in the title, but they are very different. If you want authoritative and deeply technical guidance on understanding file systems, read FSFA. If you want to focus on understanding Windows from an investigator's standpoint, read WA. If you want to know more about EnCase (and are willing to tolerate or ignore information about forensics itself), read ECF.

In the spirit of full disclosure I should mention I am co-author of a forensics book ("Real Digital Forensics") and Brian Carrier cites my book "The Tao of Network Security Monitoring" on p 10. I tried to not let those facts sway my reviews.

FSFA has received lengthy and glowing reviews, so I will keep my comments brief. Of the three books I cited earlier, FSFA was the only one which really grabbed my attention. I am a network-centric security practitioner, but Brian Carrier's organization, thoughtfulness, and delivery really hooked me. I very much appreciate authors who define a framework and explain potentially complicated topics within that framework.

For example, Brian is very keen to promote the scientific method. His emphasis on hypotheses and looking for evidence to refute them made me take a second look at my own practices. Brian differentiates between "essential" and "nonessential" data, where the former must be accurate in order for a user to access data and the latter not necessarily needing to be accurate. Again, this is a great way to think about digital evidence in any form. Investigation is grouped into preservation, search, and event reconstruction phases. Finally, Brian's separation of data structures into five categories (file system, content, metadata, file name, and application) facilitates comparisons of file systems in the third part of FSFA.

Besides being well-organized, FSFA does an excellent job covering material not addressed elsewhere. Server partitions, RAID, and LVM are examples. It is important to understand what is NOT present in FSFA, however. Brian very clearly stops at the application level of data, saving that for other books. I think this is a great idea, since it lets FSFA concentrate on its core topics (file systems) and saves the data on those file systems for other books. At the risk of self-promoting, I think FSFA is a powerful companion to "Real Digital Forensics" (RDF), since we provide sample file system images in dd format suitable for analysis using FSFA techniques. RDF also cares more about content than structure, which is where FSFA stops.

Anyone who even pretends to be a host-centric forensics practitioner must read FSFA. I expect it has the power to save you on the stand should you encounter intense questioning from a defense attorney.

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Strong words from the New York State Teacher of the Year! Twenty-six years of award-winning teaching have led John Gatto to the sad conclusion that compulsory governmental school does little but teach young people to follow orders. Dumbing Us Down offers a radical critique of public schooling, and suggests a guerilla curriculum of daily involvement in our communities.

Sales Rank: #192657 in Books
Brand: Brand: New Society Publishers
Published on: 1991-09
Format: Unabridged
Original language: English
Number of items: 1
Dimensions: .39" h x 6.07" w x 9.02" l,
Binding: Paperback
128 pages

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140 of 150 people found the following review helpful.
An essential challenge
By Laura Gilkey
I would recommend this book for anyone concerned about the problems of public, institutionalized education. It raises important challenges, the kind that are hidden in plain sight and often go unaddressed. As someone who survived K-Bacchelaureate with straight A's and psychological scars, only to learn too late that the words "Summa Cum Laude" on my degree were my reward in full, I find that many of Gatto's charges against institutional schools ring utterly true. Such schools teach their structure more than any content, and that that structure's facetious fragmentation of time and content, its pigeonholing of students by age, its usurpation of all personal privacy and dignity, and its very compulsory nature are actively hostile to the humanity and self-sufficiency we should want for students.

To me, however, Gatto's proposed solutions become problematic. His prescription is for true communities of a kind that perhaps no one I know---not even my parents and grandparents---can actually reconcile with the environment they grew up in. One friend in particular was disturbed by his proposed solutions because she was the child of a poor, single, and rather dysfunctional mother who was not well-equipped to facilitate her education without the availability of some kind of public school. Any solution to the school problem must address such situations, rather than simply trusting that all families and all communities will be functional and will meet children's needs if left to themselves.

Chapter 5, "The Congregational Principle," which focuses on proposed solutions, disturbs me most. Gatto vacillates from praising Socrates' condemnation of the Sophists for taking money to teach to espousing unleashing pure market forces on education. His exalted example is colonial New England towns that were able to achieve "true communities" through the option of excluding or oppressing undesirables. His point that these communities eventually corrected themselves from within without coercion (and the backlash it produces) is well taken, but as a liberal, I think it irresponsible to respond to the injustices of race, gender, and class by just leaving communities to their own prejudices and trusting that they'll be better a century after my death than they are now. Such triumphs of justice as Black Emancipation, Women's Suffrage, and the Civil Rights Act are, in my view, worth the fight, even if they did trump the judgement of some communities, and I don't follow Gatto's logic that immediately equates such nationwide achievements with nationally centralized school curricula that result in lifeless and mechanical schooling.

Perhaps my single biggest problem with this book is the lack of citations. I'm not prepared to take some of the author's scientific and historical assertions at face value---like a literacy rate of 98% in Massachusetts before compulsory schooling began, or the assertion that teaching the basic "three R's" takes only 100 hours with a motivated student---and feel that these need citations to investigate or confirm for myself.

Despite its problems, however, I would still call the book a "must read" for anyone with an interest in the issue. Gatto's criticisms of our schools' basic paradigm are ones we cannot afford to ignore, and although his proposed solutions may be flawed, we benefit from listening and weighing what he has to say.

69 of 74 people found the following review helpful.
Thank you, Mr. Gatto!
By A Customer
In Dumbing Us Down, Mr. Gatto gives his first person perspective on the tragic waste of human potential induced by coerced 12-year confinement of the young to the artificial and anesthetizing environment of the classroom. The book is both enlightening and frightening. Personally, I felt a sense of vindication while reading the book. It put into words my negative feelings about education resulting from my unsuccessful 15 year struggle to encourage my own children to love learning. Mr. Gatto's writing has encouraged me to think that perhaps it was a GOOD thing that school was not able to press them into its mold! At the same time, I found it immensely disturbing that a brilliant, dedicated and award-winning teacher found it impossible to convince his own colleagues that grading, grouping, numbering and force-feeding irrelevant facts to captive children has no correlation to true learning, and does, in fact, suppress any natural curiosity they may have once had. I would like to recommend the book Deschooling Society by Ivan Illich for those interested in looking at the larger social implications of compulsory schooling. If I had it to do over? Home schooling.

1 of 1 people found the following review helpful.
Terrific Book
By M. Arbuckle
This book puts into words the reasons for the slow disintegration of Western civilization. That the compulsory school system cannot be reformed, because it is working exactly as intended, producing a society of permanent children, dependent, compliant, and apathetic, is brilliantly exposed.

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Kamis, 10 November 2011

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Rush pulls you headlong into the thrilling, high-stakes world of Eve Silver's teen series The Game, about teens pulled in and out of an alternate reality where battling aliens is more than a game—it's life and death. Eve Silver's teen debut offers science fiction and gaming fans romantic thrills at a breakneck pace. New York Times bestselling author Kelley Armstrong says, "Smart and original, Rush is an action-packed ride with plenty of heart."

Sixteen-year-old Miki Jones's carefully controlled life spirals into chaos after she's run down in the street, left broken and bloody. She wakes up fully healed in a place called the lobby—pulled from her life, pulled through time and space into some kind of game in which she and a team of other teens are sent on missions to eliminate the Drau, terrifying and beautiful alien creatures. There are no practice runs, no training, and no way out. Miki has only the guidance of secretive but maddeningly attractive team leader, Jackson Tate, who says the game is more than that and what Miki and her new teammates do now determines their survival—and the survival of every other person on this planet. She laughs. He doesn't. And then the game takes a deadly and terrifying turn.

Sales Rank: #1434679 in Books
Brand: Brand: Katherine Tegen Books
Published on: 2013-06-11
Released on: 2013-06-11
Original language: English
Number of items: 1
Dimensions: 8.25" h x 1.17" w x 5.50" l, 1.54 pounds
Binding: Hardcover
368 pages

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Used Book in Good Condition

From School Library Journal
Gr 8-10-Rush is difficult to explain and at times difficult to understand, yet it is a compelling read. As Miki Jones, a junior at Glenbrook High, is "pulled from real life," thinking she is dead, she struggles to understand a Mad Hatter universe. She encounters Luka Vijic, a former friend who has returned to Rochester, New York, from Seattle. He tells her that he, too, was "pulled" and that they are both alive, except when they are on a mission. As long as they are successful in this game that is not a game, they get to return to their lives, a process that will repeat itself. Their goal is to kill Drau, alien beings seeking to conquer Earth. Plenty of aliens and conspiracies are juxtaposed with the ordinary world of a teen struggling to balance everything in her life. Some of the characters are stereotypical and two-dimensional, and aspects of the universe that Silver has built challenge the suspension of disbelief. However, most readers won't notice and will simply zip along, hoping to figure out what's really going on.-Saleena L. Davidson, South Brunswick Public Library, Monmouth Junction, NJα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
There’s no tunnel toward the light in Miki’s near-death experience. Instead, she’s flung together with a group of other teens in an alternate universe where they must battle the alien Drau or lose their lives. Although the alien battle is framed as the Game, Miki realizes that the stakes are high as she tries to unravel the truth behind these interstellar invaders. Silver complicates her story line with the welcome addition of an Edward Cullen–like hottie, Jackson Tate (whose true identity may be more terrifying than any vampire), and a jealous friend, Carly, who doesn’t realize that Miki is being jerked from reality to the Game, rather than from boy to boy. A love triangle between solid boy-next-door Luka, Miki, and Jackson develops, but what readers may find most compelling are the habits of the Drau, whose crude attempts at human infiltration are as shocking as they are realistic. Whether teens read this for the romance or the science fiction, they’ll finish eager for the second installment of the Game series. Grades 9-12. --Erin Downey Howerton

Review
"The battle scenes are visceral and taut. The intricate, multilayered plot is inventive...Mind candy for...readers who love the thrill of the game." --Kirkus Reviews

"...addictive plot, fresh setting and amazing characters..." --RT BOOKreviews

"The stakes are high, the action is consistent, and there is never too much revealed at once; Silver has a wonderful talent with suspense. . . . Highly Recommended." --CM Magazine

“The intricate, multilayered plot is inventive, twining hostile alien takeover around uncertainty about Miki’s and Jackson’s true heritage and their growing romance....Mind candy for those teen readers who love the thrill of the game. ” (Kirkus Reviews)

“Whether teens read this for the romance or the science fiction, they’ll finish eager for the second installment of the Game series.” (Booklist)

“The fight scenes offer unrelenting, pulse-quickening action, and Miki’s personal strugglewith her own need for control, even as she finds herself in an uncontrollable situation, provides the novel with an intriguing emotional core.” (Bulletin of the Center for Children’s Books)

“Thrilling action and addictive romance-a mind-bending rush of a read!” (Pittacus Lore, author of the #1 New York Times bestselling I Am Number Four series)

“Within one chapter, I found myself hooked. The stakes are high, the action is consistent, and there is never too much revealed at once; Silver has a wonderful talent with suspense. . . . Highly Recommended.” (CM Magazine)

“Smart and original, Rush is an action-packed ride with plenty of heart.” (New York Times bestselling author Kelley Armstrong)

“RUSH is the perfect title for Eve Silver’s fantastic YA debut. A RUSH of excitement, a RUSH of danger, of action, of romance, of hot boys with dark secrets. I loved it!” (Michelle Rowen, national bestselling author)

“A taut, exciting YA debut with believable dialogue, enticing characters, and a cliffhanger ending that will have readers waiting impatiently for the series’ next instalment.” (Quill & Quire (Starred Review))

Most helpful customer reviews

9 of 10 people found the following review helpful.
Review for Rush by Eve Silver
By Alyssa
***Review posted on The Eater of Books! blog***

Rush by Eve Silver
Book One of The Game series
Publisher: Katherine Tegen Books
Publication Date: June 11, 2013
Rating: 4 stars
Source: eARC from Edelweiss

Summary (from Goodreads):

So what's the game now? This, or the life I used to know?

When Miki Jones is pulled from her life, pulled through time and space into some kind of game--her carefully controlled life spirals into chaos. In the game, she and a team of other teens are sent on missions to eliminate the Drau, terrifying and beautiful alien creatures. There are no practice runs, no training, and no way out. Miki has only the guidance of secretive but maddeningly attractive team leader Jackson Tate, who says the game isn't really a game, that what Miki and her new teammates do now determines their survival, and the survival of every other person on this planet. She laughs. He doesn't. And then the game takes a deadly and terrifying turn.

What I Liked:

OH MY GOSH I LOVED THIS BOOK SO MUCH! This one is definitely going on my list of favorites at the end of the year. Yes, I didn't rate it five stars, and I have good reasons why I docked that one star, but seriously, people. I was so impressed when I finished this book. I've never read anything by Eve Silver, and I'm glad that this was the first one of her books that I read.

Miki is an incredible character. At first, I wasn't sure if I liked her or not. She's extremely tough, smart-mouthed, inquisitive, and really, in short, strong. I guess I wasn't expecting such a strong protagonist, but Miki definitely packed one heck of a punch (both in the story and as a character).

Miki is pulled when she jumps in front of a truck to save a little girl, and instead, gets killed. Sort of. She wakes up to find herself in the Lobby, waiting to attack alien creatures. Her "team" includes Jackson, Richelle, Tyrone, and Luka (Luka, she already knew from her school).

I thought the premise of this story sounded awesome - and it really was! I'm kicking myself for having an early review copy of this books for MONTHS and not reading it sooner, because I was completely sucked in to the story. This sort of reminded me of Epic by Conor Kostick, but in an obscure way. Being pulled into this different setting is sort of like being in a video game.

There is a ton of action in this book, and it almost seems non-stop. Being pulled means that you are taken into the "video game" world, and if you survive, you are dropped back into your real life, at the exact second you left. So, while a good amount of the book was spent in the "video game" world, not a lot of time passed in the real world. I loved the anticipation of fighting the creatures (called Dra) - I think Ms. Silver does an excellent job building up the tension and the nerves before Miki and the team fight the Drau.

This book is full of twists and turns! I thought it was going to go one way, and then it goes another way. I could not believe what Ms. Silver threw at us, with the bodies (not telling!). And then to find out Jackson's secret... I was shocked and intrigued! Ms. Silver definitely keeps readers guessing, but throughout the book, she tells us enough so that we won't be completely confused as we read.

Speaking of Jackson... oh man. He's the leader of the team, and he is full of mysteries. He never takes off his sunglasses, he doesn't like answering questions, and he seems to be extremely good at what he does... why? We find out as we go. He's definitely my favorite character of the book. He isn't a wimp, or a coward, or a big softy. He doesn't really have "moments". And when he tells Miki he's dangerous - he means it. This isn't like Edward telling Bella to stay away from him because he "might" hurt her (bullcrap) - I find Jackson's reasons more tragic.

And of course, he's an amazing love interest. I love his continual banter with Miki throughout the book. One of my favorite scenes of the entire book (I have many favorite scenes of this book... like, the whole thing!) is the lunch scene. Jackson isn't a soft and squishy guy - he's definitely and iron and steel guy that you don't want to mess with. But somehow, he's so lovable! And swoonworthy! And officially one of my favorite male protagonists of all time! Check out my Swoon Thursday (#22) post if you don't believe me.

That being said, I love the romance in this book. The plot is definitely NOT the romance, and the romance is second to the plot, though both are much more connected than readers believe (we find out this in the end of the book). There is a sort-of love triangle, but it's really not one at all. In any sense of the phrase. At least, I don't think it is.

The book ends in a cliffhanger, and I need Push (book two) like, yesterday. I was emotionally distraught over this cliffhanger! So, not a favorable ending. But it's a good ending! Like, well-written, makes sense with the plot, understandable, mean... I need Push.

What I Did Not Like:

There were a few things that stuck out to me that I didn't really like, and that's why this book got 4 stars instead of five. For one, the massive cliffhanger that I absolutely abhorred and possibly cried over because I couldn't believe Ms. Silver would do such a thing. Cue the water works!

Another is the amount of info dumping that happens. Readers (and Miki) get a ton of information in like, three spots in this book, all at once. When Miki firsts enters the Lobby, she gets a boatload of information then. Then she talks to Jackson when they were at the playground later in the story. And there are more spots that are smaller, but basically, the info dumping was kind of painful.

And there are some small things that were never really answered in this book (maybe in the next books?). Like, I don't really understand why the Drau are stuck in the "video game" world. And why does dying selflessly pull someone into the "video game" world? There are other questions I had, but I'm hoping that they aren't important details, or that they will be answered in the next two books.

Would I Recommend It:

Yesyesyesyesyesyesyesyesyesyes.

Yes.

Go get a copy now! Buy it, borrow it, whatever, just get it! You don't have to be a video game lover (I'm not!) or a science fiction lover to read and love this book!

Rating:

4 stars. I must have re-read this book about 4 times already. It's that good, people!

8 of 9 people found the following review helpful.
Cool concept- minor issues
By Jessica Leigh (Lovin' Los Libros)
The concept behind this book was what really pulled me in. Not to mention, I'm always up for a little sci-fi! If you are not one who cares for non-realistic plots, well, this book probably isn't for you. I personally loved Ender's Game and this book was very similar in that both are fighting to ensure humanity's survival from an alien invasion.

While I overall enjoyed this book, there were quite a few elements I didn't particularly care for.

I felt like there was a lot of information overload going on in this book. I realize it is the first in the series, so Silver is setting the stage and helping us readers understand the mechanics at work in the game. However, at times I felt there was more info-dumping than there was actual plot and action. We did get some great action scenes while Miki and crew were on missions and the last 25 or so pages had me really going to see how Silver would conclude the book. (A bit of a cliffhanger, if I do say so myself.)

I liked the main character Miki, well enough. She had every right to be overly inquisitive to the point of irritation. She died and was then brought back to life and put into a game where she runs missions and then takes a break and goes back to her normal life, only to be aware that she could be pulled back at any time. So, I get the never-ending questions and her frustration with their 'team leader' Jackson. She is dealing with quite a bit, including the loss of her mother at a young age and an alcoholic father who won't admit that he has a problem. She ends up admitting she likes the rush of the game (the fear, the adrenaline, the unknown) because it actually sparks her into feeling alive- which she hadn't before. Her sadness was always there, keeping her just under enough to feel it, but not enough to make her seem depressed.

I absolutely despised Miki's best friend Carly. She was shallow, jealous, and well let's face it: a complete bitch to Miki. I realize that she was a loyal friend to her through some pretty difficult times in the past, but that doesn't make up for the way she's treating her now. Ugh. High school girl drama.

Jackson, Miki's team leader in the game, is a complete enigma. We don't really find out his deal until later on in the book. He's a bit contradictory. He tells Miki it's every man for himself in this game, but then goes out of his way to protect her. He tells her he can't talk about the game in the outside world, but continues to break rules anyway. His duality frustrated me a bit. One minute he's kind and genuinely seems concerned about Miki and answering her questions and just getting her through and the next he throws a wall up between them and is back to his cocky, self-assured attitude. He harbors a lot of secrets, which thankfully Silver does share with us bit by bit.

Then there is Luka. He is also part of the team, but has known Miki since they were kids. It seemed like Silver was going to go all love triangle on us, but I think she changed her mind and by the end there is nothing of the sort. There's not much to say about Luka, except he was kind and wanted to help Miki- he didn't think it was fair that she not know so many things about the game.

Overall, this book really showed potential. My biggest issue was all the information overload. I felt like it could have been handled differently, so that I wasn't bogged down with all the specifics and was able to flow along more smoothly with the plot. Will I be reading the second book? Probably. I like the concept and I am curious as to where Silver will take this series next. And hopefully now that we all understand (in very clear detail) how the game works, what the teams are up against, the second book can be more centered around plot and action rather than info-dumping.

5 of 5 people found the following review helpful.
I loved it!
By Mandy
I received Rush in return for an honest review from the author. Miki lives with her dad after they lost her mom to cancer she tried to keep things normal good grades and her friends but all that is about to change. When a new student arrives at school she starts hearing voices that tell her to help and save a little girl from a fatal accident. Upon saving the girl she is trust into another world where a team fights aliens in order to save the planet. They claim it’s a game but it’s real, she’s joined by Luka one of the kids from school as well as the new guy. Unlike other new players to the team Jackson takes her under his wing protecting her.

When they eliminate the threat they are thrust back into their lives time once again starts as if they have never left. Miki is confused and none of the players will explain what’s going on it’s a secret Luka won’t disclose but Jackson shows up to answer her questions. Even Luka gives in not wanting Miki to be in the dark of what’s going on. When her friends see her talking to the guys she feels betrayed so not only does Miki have aliens and attractive guys to deal with she also has to save her friendship. The aliens are ramping up for something big will Miki be able to stop them before it’s too late? Will they all make it out of the game alive?

I didn’t care for Miki at first but as the book progressed I grew to like her. She’s had a rough life and dealing with her dad after losing her mom can’t be easy. I liked Luka right away he’s a good guy who’s just trying to survive the game and I hope to see more of him in the next book. When it comes to Jackson he also captured my heart he’s not perfect, he has issues he’s the reason that Miki’s life changed but I think he’s also good for her and willing to risk his life for hers.

I was really excited to have the chance to read Rush because I’ve heard so much about the series. The concept reminds me of Enders Game but I think it’s executed better in my opinion. I love the idea that they are time traveling outside their bodies to find an alien race that is bent on destroying the people of earth. I’m kind of a sucker for a good alien story and this one rates right up there with the Lux. I really enjoyed the characters I was able to connect with them captivated by their stories as they intertwined. Rush is a captivating story that draws the reader in right from the start loaded with action, suspense, aliens, romance and a kick ass heroine to save the day. My only complaint is that it’s a cliffhanger so I need to read the next one to see how it will play out. Rush is a must for fans of YA Sci Fi and aliens. I really enjoyed the story it was hard to put down. I loved it.

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[C448.Ebook] Get Free Ebook Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling, by John Gatto Doc

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Kamis, 10 November 2011

Free Ebook Rush (The Game), by Eve Silver

Free Ebook Rush (The Game), by Eve Silver

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[L610.Ebook] Free Ebook Rush (The Game), by Eve Silver Doc